HUNDRED SECONDS LONGER AND ITS OVER [...]
“A hundred seconds longer and it's over. Looking for real? For real. Cállate, que menudo polvo echaron tus padres para tenerte. There is no love, but I call them lovers. Caretaker. Heart-shaped piggy bank” is the title of a performance where the evolving process of understanding and experiencing intimacy is dissected through a visual autofiction.
Through three acts, a changing manipulation of water—from contained reflection to a force defiant of control, and later, a puddle of introspection—speaks to the ever-changing nature of shame. Within a choreography of endurance, friction, and the communal, social, and intimate gestures are abstracted, becoming actors for the destabilisation of normative structures. I assume the stranger as a subject who can be trusted.
“A hundred seconds longer and it's over. Looking for real? For real. Cállate, que menudo polvo echaron tus padres para tenerte. There is no love, but I call them lovers. Caretaker. Heart-shaped piggy bank” is the title of a performance where the evolving process of understanding and experiencing intimacy is dissected through a visual autofiction.
Through three acts, a changing manipulation of water—from contained reflection to a force defiant of control, and later, a puddle of introspection—speaks to the ever-changing nature of shame. Within a choreography of endurance, friction, and the communal, social, and intimate gestures are abstracted, becoming actors for the destabilisation of normative structures. I assume the stranger as a subject who can be trusted.
Sandberg Graduation Show. HetHem October 2021, Amsterdam.Pics by Tom Janssen
Call me, Catharsis Exhibition DeSchool, Amsterdam June 2021Pics by Kyle Tryhorn
Ornamenta Gala
Pforzheim , Germany. September 2022
Pics by Karolina Sobel and Marta Bogdanska