Good Job, Good Boy II
is a solo performance that delves into the themes of intimacy, imagination, family structures, and class difference. By gathering personal recollections of youth, queer desire, and rural life, the work explores an ongoing quest for validation, within the context of labor. Combining auto-fiction and repetition, the work dissects the mechanisms that shape our sense of self-worth, identity, and social belonging. The representation of three characters, (the grandfather, the mule, and the author himself) compose an examination of how personal experiences intersect with larger societal structures and shared narratives.
Sound by Ghaith Kween Qoutainy
is a solo performance that delves into the themes of intimacy, imagination, family structures, and class difference. By gathering personal recollections of youth, queer desire, and rural life, the work explores an ongoing quest for validation, within the context of labor. Combining auto-fiction and repetition, the work dissects the mechanisms that shape our sense of self-worth, identity, and social belonging. The representation of three characters, (the grandfather, the mule, and the author himself) compose an examination of how personal experiences intersect with larger societal structures and shared narratives.
Sound by Ghaith Kween Qoutainy
Good Job, Good Boy II
Centrale Fies, Italy. July 2021
Part of Live Works vol.11
Pics by Alessandro Sala. Video by Roberta Segata
Good Job, Good Boy II
ISO, Amsterdam, The Netherlands. November 2024
The (live art) series x Museumnacht
Pics by Fabian Landewee